PYTHAGOREAN MUSIC VIDEO 03


…these women symbolized the fourteen
points of which conclusively each person must pass the challenge so that he can
reach hyper-consciousness. They were the fourteen lights,
on an upward scale, and this is why this festival was more
religious then for the Athenian residents. The philosopher Demosthenes gives us
the exact words the priestess said at that sacred wedding. She said: “The Higher Spirits command as the
most pure of all others and of copulation with man, and with the sanctum
of the gods and of Bacchus, I sanctify Dionysus along the tradition
of our fathers and of our land, for the defining years of whom we have a duty to
honor and serve (the Higher Spirits).” So there is the knowledge. There are
the mysteries of Ancient Greece which independently articulate on the
creation of the universe, of which, as we said, our ancestors
enlighteningly honored. Which would you admire more, the
Mythoplasty (the constructor of myth), the Mythoploko (the one that creates
the plot of myth), or the wise ones who acknowledged what the Mythoplasty
had learned and had written in the myths, which are like tables of painting
of priceless worth? We are not able to comprehend these,
because we are not in a position and not able to capably understand these
facts and knowledge. We can understand the infinite
grandeur of the others from the broader points elusively from
our conscious mind, full of truths. This is what I wanted to say and I would
like to pass the word onto Mr. Dakoglou. I will thank him for being here within us, as he is an extremely large
international figure, and I with you will enjoy the new ideas
he has to tell us, and also to explain in mathematical terms to us what I
have just described as best I could. Thank you very much. Thank you for the kind words,
and I will return them. Nikos made two discoveries of which he
hadn’t told us and I don’t know why. Is he so modest? They are two extremely important
discoveries which classify him in a group of people who have seriously
become involved with, presented relative assignments, of the
music harmony of the spheres from the antiquities. Please, could you show me the first
picture. This assignment refers to this. He had taken the existence of
mathematical law of Philolaos and Pythagoras (Philolaos was
a student of Pythagoras), specifically the distance of the planets. It is a mathematical sequence of the
Golden Number (1,φ,φ2,φ3… etc.) where Φ is the Golden Number.
Φ being the Golden number is a huge deal, as it is internationally stable
and very serious. This mathematical sequence
not only gives the distance of the planets which we have today in our solar system, but apart from that is gives the creation
of the entire universe, Everything in the universe that has been
created is based on this mathematical law. A mathematical law exists which
has created everything. He mentions this in the Orphic, with the
sub-number hymn of 64 Orpheus, on the second thousandth year
before Christ. This law was processed by my dear Nikos, taking the frequencies the terms of the
mathematical sequence have (1,φ,φ2) where Φ is the gold number
(1,618033…etc. ~ 1,62) and he, we have found the
corresponding frequencies… the corresponding distances of
the planets with numbers. We considered these numbers
to be frequencies of which attribute specific
musical notes. Based on this, Nikos created
a form of harmony called the music harmony
of the Spheres, of which correspond from Saturn until, with contemporary knowledge of the
planets, until the beginning. Why do I say that he has done
something which makes him one of the “good”, the “grand”
of the ancients? Could you please show me the
other picture, the one you showed at the beginning? From ancient times these 6
names exist, great names: Philolaos, Nicomachus of Gerasa,
Theon the Smyrnean, Isidor, Ptolemeos, and Ploutarchos, six great ancient names
who undertook to present their own octaves, their own musical
harmonies of the Spheres, relating to the planets as you can see, Philolaos begins with Saturn, normally
the seventh in position of the planets, and has given his own octave.
The others gave their own. It must seem strange to you that they
don’t correspond to one another. Firstly, from all of the six names, only
Philolaos had knowledge of the sun-centered planetarium universe, while the others only knew of the
geo-centered planet system. So, the others made an attempt with the
then recognized knowledge they had, because they were all and astronomers. They believed in the geo-central system,
so the orbits were different. The distances were different from what
we actually have today. Only Philolaos knew and has
given his own, and all that we have discovered is
Philolaos’, the student of Pythagoras, and has given us Pythagoras’ information. But he also has made a few errors,
if we can call it that, saying he recognized that there is a
sun-centered system and even Philolaos’ documentation has been preserved
which tells us that the planets are peripheral around one hearth
of fire behind the sun. Philolaos has been saying this from that
time. It is known to us. So, he knew of the sun-centered system. However, he considered the moon a
planet inside all of this, so there are even in his, although he
begins well, there are some errors. What did Nikos do? He corrected all of this to
real contemporary conditions. Today we have the real distances we
saw in the previous display, which are the true distances
of the planets. He took these real distances and made
the music harmony of the Spheres. If this is the absolute of Pythagoras or
not, we are not examining at present. What we see here is that
all of these names made their own harmonic
interpretation. Of course they are not all in
the epoch of Pythagoras, from the fifth century when
it begins even until A.D. Apart from those, there are newer
names of whom everyone made an attempt to discover this wonderful
music harmony of the Spheres which was used by Pythagoras. He used it for specific medical purposes, for psychic therapy,
which we will refer to.